I know we live in a very technologically advanced world right now, but I don't want people to lose the connection with each other with just being able to be in front of someone and talk to them and look into their eyes and watch their body language and listen to them. What me and you are doing right now, we're having a conversation, but we're also having a conversation not looking down at a smart phone, texting to each other. I don't want us as a people, as human beings, I don't want us to lose our humanity either. It really comes down to I don't want people to be afraid to fail. On the lyrical themes of the band's new "Attention Attention" concept album:īrent: "It's recognizing the scenarios that have been put in front of you. I don't subscribe to just one style of music. So, when I think of songs, I think about all the dynamics that make the melody and make the musicianship, so, that attributes to not only the playing, but also the lyrical content and the melody, so my pallet is pretty wide, pretty broad. There's a difference with me in songs and music. But, I'm very centered in regards to music. I never pigeonholed myself either from a musical standpoint. Didn't matter your religion didn't matter how young and old you were didn't matter if you were a man or woman. #Attention attention album art skinIt didn't matter what color of skin you had. That community from, ever since I could remember, were always very welcoming. It's bit more of a spirit in a lot of ways. I don't really look at it as a genre of music. I was 24 before I heard it."īrent: "I've always looked as rock and roll as a way of life. The first BEATLES record I ever listened to front to back was 'The White Album'. I was 24 years old before I ever listened to a BEATLES record. I found out about this band from Birmingham named BLACK SABBATH, then I kind of figured out about LED ZEPPELIN. This whole world of R&B and Motown kind of opened up and I went backward a little bit from that. That opened up this completely different door because Otis Redding got me to Nina Simone and Nina Simone got me into Ella Fitzgerald, which got me to Billie Holiday, which got me to Marvin Gaye, which got me to Sam Cooke, which got me to Percy Sledge. Because when I was 15, my dad gave me a tape, an anthology tape of a guy named Otis Redding. But I've got to give some credit to my father. I would do it and do it until I could hit every note. I remember singing 'Appetite For Destruction' from GUNS N' ROSES back to back. I remember being 14 years old, my parents would go out, they would always go out on Friday nights because that was their date night and the garage in the house we lived in, had a really good reverb. #Attention attention album art how toI kind of think back to that era, too, because that had a lot of really, really great teachers who taught me how to sing with these albums. Then, right about the time I was approaching probably 14, 15 years old, that's when I really started to notice that maybe I want to sing. I kind of noticed that at 10 years old, I could write down what I thought and I could put it in song form. I didn't really search to ask myself what I wanted to do for a living or how I saw my life. A few excerpts follow (transcribed by BLABBERMOUTH.NET).īrent: "The thing was for me, when I was 10 years old, I kind of figured out exactly what I wanted to do. You can watch the entire chat in two parts below. Holland's FaceCulture recently conducted an interview with SHINEDOWN frontman Brent Smith.
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